GASP Records releases Neil Leonard "Mil Maneras" - EP featuring Oren Fader performing works for guitar and electronics

"Mr. Leonard creates a haunting, rhythmic, chantlike score, secular spiritual music for a New World. After leaving the gallery I kept hearing it, with delight, in my head, on the street, all afternoon."

Holland Cotter, New York Times, October 2013

GASP Records announces the release of Mil Maneras by composer/electronic musician Neil Leonard. This extraordinary EP features hypnotic grooves, ethereal electronic sounds and performances by virtuoso guitarist Oren Fader. The music draws on Leonard’s association with top-shelf artists including Marshall Allen, Joanne Brackeen, Don Byron, Richard Devine, Bill Frisell, Vijay Iyer, Rudresh Mahanthappa, Phill Niblock, Robin Rimbaud aka Scanner and Evan Ziporyn.

Mil Maneras showcases the work that Leonard developed when he broke with musical convention and began collaborating with visual artists thirty years ago. These pieces are known widely through exhibitions and performances at the Museum of Modern Art, Whitney Museum, Guggenheim Museum and Venice Biennale.

The title track Mil Maneras was created for a mixed media installation with artist Maria Magdalena Campos-Pons for the Dak’Art Biennial of Contemporary African Art where the sound was heard in an abandon textile factory. “The atmospheric beginning has no rhythm, melody or harmony, just clouds of ethereal sound that evoke the ghosts for workers past. The groove that follows alludes to the perpetual rhythm of the factory full of machines pulling in threads and spinning out fabric displaying striking Senegalese designs.”

Interiority is a highly evocative miniature suite created for a permanent installation on an Italian mountaintop. The work comprises a nocturnal experience in which visitors encounter a constellation of orbs that display video imagery, project electronic sound and reveal illuminated inscriptions. “The sound is inspired by paintings in the Etruscan necropolis in Tarquinia where frescos depict the afterlife as a vibrant and seductive continuation of our present existence. I created subtle and varied sonic textures to maintain the allure for the local population who will experience the piece for years to come."

Mil Maneras concludes with the blast-furnace strength performance by Oren Fader on Vitrales. “The piece combines the montunos and drumming of timba bands that I heard in Cuba with extended approaches to jazz composition introduced to me by George Russell. Parts of the piece were drafted using computer programs that I designed but the final version was made by hand, often with the guitar in my lap to feel how fingers dance.” Vitrales creates a mosaic of unique rhythms, intricate counterpoint and shimmering harmonies to create a new music for 21^st Century listeners.

Sharpening the Cutting Edge

Dear friends,

I just wanted to let you know about some of the work I did in Europe this summer. The Berklee's Newbury Comics Faculty Fellowship was one of the sponsors.

Best wishes,
Neil Leonard

The article in its entirety is posted here:
Newbury Comics Faculty Fellowship Grants: Sharpening the Cutting Edge
by Susan Gedutis Lindsay

Sharpening the Cutting Edge - online

La Marrana

I first went to Italy in 2001 to present work with Magdalena Campos-Pons at La Biennale di Venezia. At the opening we met Gianni and Grazie Bolongaro who commissioned us to create “Interiorità o Luna sulla collina” a permanent work for La Marrana (2003).

This year Gianni and Grazie Bolongaro asked me to select a group of sound works to present during the "Garden for Life" fund raiser for the Breast Health Institute. I chose works by Gary Chang, Anthony Baldino, Jess Hewitt and Pierce Warnecke. The following day La Marrana featured works by visual artists Claudio Losi and Hamish Fulton and hosted an artists talk with Giacinto Di Pietrantonio and Angela Vettese.

Ann Chang, Jess Hewitt, Anthony Baldino, Daria Trevisan, Neil Leonard, Gary Chang, Pierce Warnecke, Arthur Chang. Anthony, Jess and Pierce are graduates of Berklee College of Music. Daria attended my Site Specific Sound Installation and Performance Seminar at Università degli Studi di Padova and C. Pollini Conservatory (2006).


Anthony, Jess and Pierce were a huge hit everywhere we played.